Grounds for Review: The Garden Festival in Urban Planning and Design

Garden Festivals are more than temporary horticultural expositions. Complex and phased, these projects have additional significance as planning stratagems, reclamation projects, public art venues, and precursors of new urban parks. Nevertheless, their impact on the urban landscape has been understated or overlooked. Their scope extends well beyond that implied by the term ‘garden festival’. Typically exceeding 50 hectares, they stimulate development and steer site design through a unique merger of domestic garden culture with a large-scale urban project.

A general discussion of the origins, formative elements and chronology of the generic event followed by cross-cultural reviews and analyses of numerous recent festivals and their site legacies form the core of this first comprehensive book on the subject.

Although not an historical treatment, this study builds on historical knowledge. Since their inception with the 1951 Hannover Bundesgartenschau festivals progressed from traditional concepts of exhibition and park design to amplify impulses of the wider culture. Recent installations have been responsive to the ascendance of open space as a critical planning element while forthcoming events now develop in the midst of a trend towards the holistic initiatives of urban landscape planning, giving them a renewed relevance for urban design.

The author explored over fifteen festival sites and documents this study using government reports, interview transcripts, thematic maps, master plans, and other primary source material. The text is richly supplemented with over 140 images and tables. This should prove a useful reference for students, professionals and educators, or indeed anyone, with an interest in the urban public realm.


Grounds for Review: The Garden Festival in Urban Planning and Design

Landscape Beyond: A Journey into Photography

Critically acclaimed photographer David Ward explores the essential attributes of a successful landscape photograph—simplicity, ambiguity, and beauty—in this intriguing companion to his first book, Landscape Within. David discusses how the notion of beauty has been viewed by artists and psychologists and how, despite various modifications over the centuries, the concept of beauty remains relevant. David suggests that all photographers’ work either poses a question or seeks to impose the photographer’s viewpoint, and he goes on to investigate how photography affects our interpretation of the world around us. Accompanied by a selection of David’s stunning, large-format landscape images, this is an elegant and insightful look into the nature of photography.


Landscape Beyond: A Journey into Photography

Invented Landscape

Exhibition catalog. B&W photos throughout. Foreward by Marcia Tucker, Director. Includes 8-page essay titled The Invented Landscape.

The New Museums exhibition devoted to new experimental work in the photographic medium. Explores work that clearly derives from the idea of landscape, but also questions the established conventions of landscape photography. The work in this exhibition displays a wide range of attitudes, from a personal lyricism to a detached irony. No technical approach predominates, as was the case in the classical landscape tradition. The one unifying characteristic is a rejection of the values traditionally associated with the land, and of the expression of those values through the visual appearance of some narrowing of the mediums range. Guest-curated by Christopher English.

Each section is accompanied by each artists commentary on their development and their current work, as well as a brief bio.

PHOTOGRAPHERS INCLUDED:
Peter De Lory, Bonnie Donohue, Victor Landweber, David Maclay, Martha Madigan, Richard Ross, Tricia Sample, Michael Siede, Carl Toth, and Gwen Widmer.


Invented Landscape