Illustrated History of Landscape Design

A visual journey through the history of landscape design

For thousands of years, people have altered the meaning of space by reshaping nature. As an art form, these architectural landscape creations are stamped with societal imprints unique to their environment and place in time.

Illustrated History of Landscape Design takes an optical sweep of the iconic landscapes constructed throughout the ages. Organized by century and geographic region, this highly visual reference uses hundreds of masterful pen-and-ink drawings to show how historical context and cultural connections can illuminate today’s design possibilities.

This guide includes:

  • Storyboards, case studies, and visual narratives toportray spaces

  • Plan, section, and elevation drawings of key spaces

  • Summaries of design concepts, principles, and vocabularies

  • Historic and contemporary works of art that illuminate a specific era

  • Descriptions of how the landscape has been shaped over time in response to human need

Directing both students and practitioners along a visually stimulating timeline, Illustrated History of Landscape Design is a valuable educational tool as well as an endless source of inspiration.

Amazon Exclusive: Q&A with the Authors

What are some of your favorite iconic landscape spaces?
Chip: The topiary garden at Levens Hall is so unusual and surreal. It’s survived the changing styles of landscape design over the centuries and remains a testament to wackiness.
Liz: I love the choreography of space at the Villa Lante.

Why an illustrated book?
Liz: It would be hard not to rely on images to describe space. Our book contains only hand-drawings (not photographs) which further help the reader be ‘drawn’ into a space—no pun intended!
Chip: As a kid I loved the Classics Illustrated series. Seeing an artist’s interpretation of a great narrative made it very real for me.

What makes this different from other history books?
Chip: We have included so many unique graphic features—plans, sections, elevations, perspectives, axonometrics, analytical diagrams, and storyboards—that distill and synthesize important concepts.
Liz: We really tried to present a broad context for historical works of landscape architecture. We started each chapter with a timeline of world events, and concluded each chapter with summaries of design concepts, principles, vocabularies and lists of ‘neat stuff’ that are typically not part of a traditional course in landscape architectural history.

How is studying landscape history relevant to today’s designers?
Liz: Everything we do as designers relates to what’s been done before—one can evolve a trend or totally challenge tradition.
Chip: Studying the past helps a designer build a vocabulary of form, and understand the context in which one is working.

What are some examples of using historical landscape designs in today’s design challenges?
Chip: Today’s emphasis on green architecture and sustainable design is rooted in the past. Throughout history, a culture’s survival depended on understanding the delicate balance of people and nature, garden and climate.
Liz: It’s exciting to think of how people use space and understand the landscape in a digital age. The forms and design vocabularies that will capture our culture’s values in the 21st century are still evolving.


Illustrated History of Landscape Design

Swiss Made

When it comes to architecture, Switzerland wields an international influence that belies its small geographic size. Such prominent figures as Herzog & de Meuron and Peter Zumthor lead a chorus of innovative new voices emanating from this mountainous nation where craftsmanship, simple beauty, and environmental sensitivity have always been prized values. Swiss Made presents the work of the celebrated studios and architects at the forefront of Swiss design, much of which has never been seen before in the United States. In his introduction, historian Steven Spier provides an overview of Swiss architecture and considers the cultural attitudes that have fostered such refined buildings. Critic Martin Tschantz assesses the Swiss tradition of integrating progressive design, indigenous building techniques, and advanced engineering systems. The cleareyed images of architectural photographer Christian Richters are supplemented by drawings and plans of the many projects included in this handsome volume. Swiss Made features the work of: Burkhalter & Sumi, Diener & Diener, Gigon & Guyer, Herzog & de Meuron, Peter Markli, Peter Zumthor, and many others. Swiss Made is the companion volume to SuperDutch.


Swiss Made

Garden Ornament at Dumbarton Oaks (Studies in Landscape Architecture, Informal Paper)

This study highlights a selection of garden ornaments from Dumbarton Oaks, the Washington, D.C., estate of Mildred and Robert Woods Bliss. Drawings from Beatrix Farrand’s office and excerpts from her Plant Book for Dumbarton Oaks, combined with original period photographs, endeavor to show the stylistic sources, evolution of design, and iconography. Other works were selected that reflect an evolution of thought about the gardens and illustrate the conscious choices that were made in shaping the landscape. As Lanning Roper states in Dumbarton Oaks—A Great American Garden, “The garden ornament deserves special comment. Mrs. Bliss had made a particular study of this subject and wished to show the variety of media that can be used and often effectively combined… All ornaments are carefully placed and one is impressed both by the quality, inconspicuousness and the originality of the conception.” Garden ornaments were logical extensions of the Blisses’ collections of art objects.

Inscriptions play a significant role in the decoration of the grounds and have been included as well. The majority of them relate to the personal lives of Robert and Mildred Bliss and reflect the strong humanist tradition represented by Dumbarton Oaks.


Garden Ornament at Dumbarton Oaks (Studies in Landscape Architecture, Informal Paper)